DiscountDelight - Memory [Includes Bonus CD]
![Memory [Includes Bonus CD]](/images/P/B000C4BIOQ.01._SCMZZZZZZZ_.jpg)
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List Price: $18.98
Our Price: $12.98
Your Save: $ 6.00 ( 32% )
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Manufacturer: Deutsche Grammophon
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Average Customer Rating:   
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Binding: Audio CD
EAN: 0028947759768
Label: Deutsche Grammophon
Manufacturer: Deutsche Grammophon
Publisher: Deutsche Grammophon
Release Date: 2006-03-14
Studio: Deutsche Grammophon
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Spotlight customer reviews:
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Customer Rating:
Summary: Definately a worthy addition to a classical lover's collection
Comment: I've heard both Chopin Sonata 3 and Mozart K330 played by multiple people and I can say, that I enjoyed how Lang Lang played both. I'm more familiar with Chopin Sonata 3, and I have to say that Lang Lang's recording does not compare to Martha Argerich's. But, neither does anyone elses. But Lang Lang's recording of it is still very good, if you're only picking this up because of the chopin 3, pick up the Legendary 1965 Argerich recording instead. But if you're looking at the Mozart piece, look no further, because Lang Lang plays this one beautifully. It is pretty much flawlessly done, this is the piece that supposedly saved Lang Lang's interest in the piano and a great thing that was! I'm not a big Schumann fan, it's an interesting listen, but I'd say that the Chopin and Mozart pieces are far more interesting. And now the bonus track, The famous Liszt Hungarian Rhapsody No.2, I think it's done very well, but your whole opinion on the song will change if you see any videos of Lang Lang actually performing this piece. He gets so into the music is it almost absurd to watch, this piece is filled with emotion and he manages to keep it in control, holding back some parts of the song just a little bit so they sound even better. Lang Lang is still very young and his style still has many years to develop, I give this release 4 stars because while he may not have bested Argerich's Sonata 3, he still does a fine job of it and the recording quality is far superior on this 2005 release than on the 1965 Argerich recording, although the playing quality is the most important aspect, Lang Lang is certainly an extremely talented pianist and this recording will not dissapoint you!
Customer Rating:
Summary: Understanding the Romantic Heart
Comment: Just how many 'memories' can a 23-year old pianist have? Usually reflective recitals such as this are reserved for the older giants of the keyboard and often come to us a clippings from previous recordings. But finally in this 2 CD album the much discussed and ballyhooed Chinese pianist takes us by surprise in reflecting on the works he played as a child of 11 and beyond, works from the Romantic repertoire that demonstrate more sensitivity of interpretation than we are used to hearing.
The program is well balanced, opening with Mozart's 'Piano Sonata No. 10 in C major, K. 330' in a performance that embraces the delicacy of line and the technical finesse of a solid keyboard master. Yes, and even some of the poetry is showing. Lang Lang then proceeds to demonstrate his prowess and an in-control technician in Chopin's 'Piano Sonata No. 3 in B minor, Op. 58', reigning in much of his overstatement heard frequently in his live performances, and opting instead for clarity of line and dexterity of approach.
The highlight of the recording is Schumann's 'Kinderszenen, Op. 15'. This beautifully introspective and gently tender performance shows us an aspect of this young dynamo of the keyboard that we have not heard. Yes, he leans into ritards, and stretches phrases like taffy, but that was the style of pianism when these works were performed. Gone are the days of the Romantic Pianists whose own transcriptions and variations were superimposed on individual performances. That is a lost art and one that welcomes a new proponent in young Lang Lang in a time when audiences search for pianists who are 'purists': this is another form of pure.
And to please his countless fans Lang Lang adds the 'Hungarian Rhapsody, for piano No. 12 in C sharp minor', the Horowitz transcription, to reassure everyone that he can still burn up the keyboard and make more sound come from the piano than many of his colleagues today. Though Lang Lang is not tops on the list of this listener's favorite pianists, this CD does offer evidence that there is more to him than his playing TO the audience quirks indicate: it seems that he may be turning toward playing FOR his audience - and for the composer! Grady Harp, May 06
Customer Rating:
Summary: A Vast Improvement Over Lang Lang's Solo Recital CD
Comment: I have never questioned Lang Lang's technical brilliance, but rather, whether he truly has a feeling for the music he plays. Here, at last, I think he's finally demonstrating himself as a fine interpreter of Romantic piano music, due to the encouragement and tutelage he's received from distinguished pianists and conductors Daniel Barenboim and Christoph Eschenbach. Lang Lang offers a thoughtful, suprisingly restrained, performance of the Chopin piano sonata, though my own personal tastes run more along the likes of Martha Argerich and Maurizio Pollini, who are tempermentally poles apart, but have still offered splendid interpretations. Lang Lang's best performance is of Schumann's "Kinderszenen", which is quite expressive, without demonstrating the exuberant, melodramatic performances I heard both live - I was present at his Carnegie Hall solo recital debut - and on CD in his Carnegie Hall solo recital debut CD. Fans who crave Lang Lang's exuberance at the keyboard, will be pleased with his interpretation of Vladimir Horowitz's interpretation of Liszt's Hungarian Rhapsody Number Two, which is the bonus CD in this two CD set (I am surprised that Lang Lang and Deutsche Grammophon did not opt to include a recording of the Rachmaninoff preludes I had heard last night at his second Carnegie Hall solo recital.). The only disappointment is Lang Lang's interpretation of the Mozart K. 330 sonata, which lacks the thoughtful, technical brilliance I've come to expect from the likes of Alfred Brendel and Mitsuko Uchida. This new recording from Lang Lang may not win him new converts from serious classical music fans and critics alike, but at least he demonstrates that he is a talented young classical pianist (And not a overhyped, young Chinese version of Liberace whom I thought was actually auditioning to become a member of the Elton John Band, joining Guy Babylon as Elton John's third keyboard musician.). However, I still believe that the best young classical pianist from the People's Republic of China is Yundi Li, not Lang Lang.
Customer Rating:
Summary: Chopin or Lang Lang?
Comment: Just listening to few extracts of Chopin Sonata on Amazon.com made it clear to me - I don't want to hear the rest. Let's take the Scherzo (2nd movement), for example. Lang Lang plays the middle episode not just "a little slow" but at least twice as slow. Whereas if you look in the score you'll see a strikingly different picture - Chopin (the composer!) asked for no tempo change, he never canceled Molto Vivace. Unfortunately, it is very common when a performer changes things here and there, so it sounds so called original and "deep", rather then trying to read attentively the composer's code, understand and make sense of it. I trust Chopin's genius and never those who put their ego above the existing Beauty.
Customer Rating:
Summary: Forever tacky?
Comment: Contrary to the concert of praise surrounding Lang's virtuosity, these memories have little to do with music. Is fingerbreaking pace, music? The scherzo of Chopin third sonata says it all: it's all about how fast Lang can play, not at all about what Chopin's music means. The score -written by the decidely stubborn Chopin- doesn't acknowledge Lang's change of tempo: there is no such thing as the slow part in the middle. Once again this music shows how well out of his depth this virtuoso is and how much hype, marketing and fashion of the day are propping these automats. I'll take the impetuous Argerich over this anytime: at least she is genuine. Her scherzo is organic, fluid. A recent CD by pianist Svetlana Ponomareva displays similar qualities and although in the obscurity as much as Lang is in the sun, she follows Chopin's score in a meaningful and sensitive way. Check the soundclip on her website [...], compare with others on amazon, listen!
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Editorial Reviews:
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If it is possible to play the piano charismatically, then that is what Lang Lang does. His total identification with each piece gives his playing a warmth, a personal touch, that is unique. His performance of Mozart's K. 330 is ideally classical. The opening movement seems played with the fingers just touching the keys. The big Chopin sonata is given an imposing, dignified reading, and Lang Lang plays the frisky scherzo--the most perky one Chopin ever wrote--with obvious glee. The performance of Schumann's "Kinderszenen" is filled with characterization: dreamy, filled with wonderment ("Curious Story"), wackiness ("Catch me if you can"), and stillness ("Child falling asleep"); Lang Lang manages to avoid affectation throughout. A bonus CD offers Liszt's Hungarian Rhapsody no. 2 in Vladimir Horowitz's arrangement and is dizzying in its virtuosity. This is a must-have; Lang Lang is not being over-hyped. --Robert Levine
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